![]() ![]() One of the first scenes that Marquez utilizes the dogs in is the previously mentioned scene with Victoria Guzman feeding the guts of the rabbits to the dogs. ” The emotions expressed by Nasar in this scene add to his and Victoria Guzman’s characterization: Nasar’s opposition to violence, and Guzman’s hidden despise for Nasar.ĭogs are also a motif used by Marquez in Chronicle of a Death Foretold. Marquez then adds to additional irony by showing Nasar’s opposition to this treatment of living or dead things when Guzman wonders how “a man accustomed to killing defenseless animals could suddenly express such horror… She went on feeding the dogs with the insides of the other rabbits, just to embitter Santiago Nasar’s breakfast. ” In this scene not only is Marquez is foreshadowing the killing of Nasar, but he’s also using irony to emphasize details of his violent and cruel demise. ” “ couldn’t avoid a wave of fright as she remembered Santiago Nasar’s horror when she pulled out the insides of a rabbit by the roots and threw the steaming guts to the dogs. Santiago walks into the kitchen for breakfast where Victoria Guzman, “had been quartering three rabbits for lunch. Marquez also utilizes a rabbit similarly to the pig. Additionally, the parents rely upon the brothers to clean up both before the marriage, and after it’s destroyed by their sister’s untraditional actions, adding to the metaphor. ” The Arab culture considers pigs to be filthy creatures, so Marquez continues to play on this belief by using the pigsty as a metaphor for the impurity of the marriage. “‘ daughters would be married in the pigpen or they wouldn’t be married at all’… The twins took the pigs off elsewhere and sanitized the pigsty with quicklime. Another use of pigs in the novel occurs when the Vicarios insist on having the wedding at their home, and in doing so are forced to have the ceremony in the pigpen.
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